Dunja Kostić is a scenographer based in Belgrade. She holds both Bachelor’s and Master’s degrees in Scenography from the Faculty of Applied Arts in Belgrade and began her Ph.D. studies in Drama at the Faculty of Philology, University of Belgrade, in 2018. Since 2015, she has been actively working as a scenographer, collaborating with leading theatres in Serbia and the region on numerous critically acclaimed and award-winning productions. A significant part of her professional career has been linked to the National Theatre in Belgrade.
Her selected theatre works include At Dawn, Snow White and the Seven Dwarfs, and Orpheus and Eurydice (National Theatre in Belgrade); Travelling Troupe Šopalović (National Theatre in Niš); Ubu Roi (National Theatre in Pirot); Tre Sorelle (Music Centre Podgorica); and Arabian Nights, The Badger on Trial, and Good Luck, Adi (National Theatre of the Republic of Srpska).
Her work has received significant professional recognition. The staging concept for Benjamin Britten’s opera The Turn of the Screw was shortlisted for the semi-finals of the European Opera-Directing Prize (EOP), ranking among the top ten selected projects. She also designed the scenography for the Opening Ceremony of the European Capital of Culture at the Serbian National Theatre.
In addition to theatre, Dunja works across various formats, designing scenography for video and event productions, as well as artistic and spatial installations.
2024
“Dead Man’s Cell Phone”
Sarah Ruhl
National Theater “Toša Jovanović”
Director: Rastislav Ćopić
Stage design: Dunja Kostić
Costume design: Ivana Ristić
Music: Vladimir Pejković
“Three psalms”
David Chesky
Rossi fest / Dorćol Platz
Director: Ana Grigorović
Stage design: Dunja Kostić
Conductor: Radan Jovanović
2023
“Stones in His Pockets”
Marie Jones
National Theatre Kikinda Director: Rastislav Ćopić
Stage and costume design: Dunja Kostić
Dramaturgy: Hristina Mitić
“Ester” Oratorio
Christiano Lidarti
National Theatre in Belgrade
Conductor: Stefan Zekić
Director: Ana Grigorović
Stage: Dunja Kostić
Costumes: Sara Bradić
2022
“Il Tabarro” Giacomo Pucinni
OperaLab/Club 20/44
Director: Ana Grigorović
Conductor: Stefan Zekić
Stage and costumes: Dunja Kostić
“Snow White and the seven Dwarfs”
Dragan Karolić
National Theatre in Belgrade
Director: Ana Grigorović
Conductor: Stefan Zekić
Stage design: Dunja Kostić
Costume design: Katarina Grčić Nikolić
Choreography: Tamara Antonijević Spasić
“Tre Sorelle”
Musical Centre of Montenegro
Choreography: Aleksandar Ilić
Director: Aleksandar Nikolić
Stage design: Dunja Kostić
Costume design: Senka Ranosavljević
Music: Georg Daušnik
Light design: Vlado Marinkovski
“Ubu Roi”
Alfred Jarry
National Theatre Pirot
Director: Ana Grigorović
Stage and costumes: Dunja Kostić
Music: Irena Popović
“Opening Ceremony of European Capital of Culture”
Serbian National Theatre
Director: Aleksandar Nikolić
Choreograhy: Aleksandar Ilić
Stage design: Dunja Kostić
Costume design: Senka Ranosavljević
2021
“The Turn of the Screw”
Benjamin Britten
The Royal Danish Opera
Semi-finalists of the EOP
Director: Ana Grigorović
Stage design: Dunja Kostić
Costume design: Selena Orb
“Orpheus and Eurydice” Christoph Willibald Gluck
National Theatre in Belgrade
Conductor: Dian Tchobanov/Zorica Mitev Vojnović
Director: Aleksandar Nikolić
Stage design: Dunja Kostić
Choreography: Aleksandar Ilić
Costume design: Katarina Grčić Nikolić
2020 “Quartet for the End of Time”
Olivier Messiaen
National Theatre in Belgrade
Director: Ana Grigorović
Stage design: Dunja Kostić
“The Tragedy of Carmen”
Georges Bizet, Peter Brook
National Theatre in Belgrade/Dorćol Platz
Director: Ana Grigorović
Conductor: Stefan Zekić
Stage design: Dunja Kostić
Costume design: Ivana Ivić
Stage movement: Tamara Pjević
Video: Matija Novaković
Light design: Vlado Marinkovski
2019
“At Dawn”
Stanislav Binički
National Theatre in Belgrade
Director: Ana Grigorović
Conductor: Stefan Zekić
Stage design: Dunja Kostić
Costume design: Katarina Grčić Nikolić
Choreography: Miloš Kecman
Stage movement: Suzana Lukić
“Salt on the wounds”
Tea Matanović
Zvezdara Theater/FIST
Director: Rastislav Ćopić
Stage design: Dunja Kostić
Producer: Ikonija Jeftić
“Travelling troupe Šopalović”
Ljubomir Simović
National Theatre in Niš
Director: Tatjana Mandić Rigonat
Stage design: Dunja Kostić
Costume design: Stefan Savković
Music: Irena Popović
Stage movement: Miodrag Krčmarik
“The Coronation of Poppaea”
Claudio Monteverdi
National Theatre in Belgrade
Director: Aleksandar Nikolić
Stage design: Dunja Kostić
Choreography: Aleksandar Ilić
2018
“How Much Is Your Iron?”
Bertolt Brecht
Faculty of Dramatic Arts/Atelje 212
Director: Rastislav Ćopić
Stage design: Dunja Kostić
Dramaturgy: Đorđe Kosić
Costume design: Sofija Milovanović
Music: Petra Perović
Producer: Marija Simić
2016
“Four Songs for Tadjo”
Teodora Sujić
National Theatre in Belgrade/XX festival of choreographic miniatures
Choreography: Aleksandar Ilić
Stage design: Dunja Kostić
Music: Vasilije Đoković
2015
“Sonnet Wreath”
France Prešern
Madlenianum/Balkan Dance Project vol.2
Choreography: Aleksandar Ilić
Stage: Dunja Kostić
“Reminiscence”
House of culture Velenje/Balkan Dance Project vol.1
Choreography: Aleksandar Ilić
Stage: Dunja Kostić
Music: Vasilije Đokić
Assistant stage designer:
2021
“Nora: A Doll’s House”
Henrik Ibsen
National Theatre in Belgrade
Director: Tatjana Mandić Rigonat
“The Vast Domain”
Arthur Schnitzler
The Yugoslav Drama Theatre
Director: Marko Manojlović
2018
“Balkan Spy”
Dušan Kovačević
National Theatre in Belgrade
Director: Tatjana Mandić Rigonat
“The House of Bernarda Alba”
Frederico Garcia Lorca
National Theatre in Belgrade
Director: Ana Grigorović
2017
“Kingdom of Heaven – Epica Balkanica”
National Theatre in Belgrade / Bitef Theatre
Director: Jernej Lorenci
“The Power of Darkness”
Lev Nikolayevich Tolstoy
National Theatre in Belgrade
Director: Igor Vuk Torbica
2016
“Electra”
Danilo Kiš
National Theatre in Belgrade
Director: Iva Milošević
“Ivanov”
A.P.Chekov
National Theatre in Belgrade
Director: Tatjana Mandić Rigonat
“L’Italiana in Algeri”
Gioachino Rossini
National Theatre in Belgrade
Director: Ursula Horner
Revival director: Ana Grigorović